• Take me, take me, take me . . . to the Palace of Love at Yale Center for British Art

    Recurring

    Rina Banerjee’s suspended installation reimagines the iconic form of the Taj Mahal through contemporary materials and perspective. Rather than marble and permanence, Banerjee constructs her palace from a steel and copper frame wrapped in translucent pink cellophane, challenging assumptions about luxury, history, and cultural legacy. Floating above the ground, the tentlike structure encloses objects that ... Read more

  • Take me, take me, take me . . . to the Palace of Love at Yale Center for British Art

    Recurring

    Rina Banerjee’s suspended installation reimagines the iconic form of the Taj Mahal through contemporary materials and perspective. Rather than marble and permanence, Banerjee constructs her palace from a steel and copper frame wrapped in translucent pink cellophane, challenging assumptions about luxury, history, and cultural legacy. Floating above the ground, the tentlike structure encloses objects that ... Read more

  • Take me, take me, take me . . . to the Palace of Love at Yale Center for British Art

    Recurring

    Rina Banerjee’s suspended installation reimagines the iconic form of the Taj Mahal through contemporary materials and perspective. Rather than marble and permanence, Banerjee constructs her palace from a steel and copper frame wrapped in translucent pink cellophane, challenging assumptions about luxury, history, and cultural legacy. Floating above the ground, the tentlike structure encloses objects that ... Read more

  • Take me, take me, take me . . . to the Palace of Love at Yale Center for British Art

    Recurring

    Rina Banerjee’s suspended installation reimagines the iconic form of the Taj Mahal through contemporary materials and perspective. Rather than marble and permanence, Banerjee constructs her palace from a steel and copper frame wrapped in translucent pink cellophane, challenging assumptions about luxury, history, and cultural legacy. Floating above the ground, the tentlike structure encloses objects that ... Read more

  • Take me, take me, take me . . . to the Palace of Love at Yale Center for British Art

    Recurring

    Rina Banerjee’s suspended installation reimagines the iconic form of the Taj Mahal through contemporary materials and perspective. Rather than marble and permanence, Banerjee constructs her palace from a steel and copper frame wrapped in translucent pink cellophane, challenging assumptions about luxury, history, and cultural legacy. Floating above the ground, the tentlike structure encloses objects that ... Read more

  • Take me, take me, take me . . . to the Palace of Love at Yale Center for British Art

    Recurring

    Rina Banerjee’s suspended installation reimagines the iconic form of the Taj Mahal through contemporary materials and perspective. Rather than marble and permanence, Banerjee constructs her palace from a steel and copper frame wrapped in translucent pink cellophane, challenging assumptions about luxury, history, and cultural legacy. Floating above the ground, the tentlike structure encloses objects that ... Read more

  • Take me, take me, take me . . . to the Palace of Love at Yale Center for British Art

    Recurring

    Rina Banerjee’s suspended installation reimagines the iconic form of the Taj Mahal through contemporary materials and perspective. Rather than marble and permanence, Banerjee constructs her palace from a steel and copper frame wrapped in translucent pink cellophane, challenging assumptions about luxury, history, and cultural legacy. Floating above the ground, the tentlike structure encloses objects that ... Read more

  • Take me, take me, take me . . . to the Palace of Love at Yale Center for British Art

    Recurring

    Rina Banerjee’s suspended installation reimagines the iconic form of the Taj Mahal through contemporary materials and perspective. Rather than marble and permanence, Banerjee constructs her palace from a steel and copper frame wrapped in translucent pink cellophane, challenging assumptions about luxury, history, and cultural legacy. Floating above the ground, the tentlike structure encloses objects that ... Read more

  • Take me, take me, take me . . . to the Palace of Love at Yale Center for British Art

    Recurring

    Rina Banerjee’s suspended installation reimagines the iconic form of the Taj Mahal through contemporary materials and perspective. Rather than marble and permanence, Banerjee constructs her palace from a steel and copper frame wrapped in translucent pink cellophane, challenging assumptions about luxury, history, and cultural legacy. Floating above the ground, the tentlike structure encloses objects that ... Read more

  • Take me, take me, take me . . . to the Palace of Love at Yale Center for British Art

    Recurring

    Rina Banerjee’s suspended installation reimagines the iconic form of the Taj Mahal through contemporary materials and perspective. Rather than marble and permanence, Banerjee constructs her palace from a steel and copper frame wrapped in translucent pink cellophane, challenging assumptions about luxury, history, and cultural legacy. Floating above the ground, the tentlike structure encloses objects that ... Read more